For many video workflows, 48 kHz is the practical starting point, but your delivery specification should decide the final requirement. A 44.1 kHz music file is not automatically unusable in a video project: the important…
For many video workflows, 48 kHz is the practical starting point, but your delivery specification should decide the final requirement. A 44.1 kHz music file is not automatically unusable in a video project: the important…
